![]() ![]() We tried to find moments for everybody based very loosely on what we knew to be people’s abilities and what we wanted to say.” Not just as a left turn for a couple of minutes to show us something, but to actually reveal things. “The show should be emotional and the show should reach a place where you feel things. “We tried to bring in an attitude about it that the show shouldn’t just be silly,” Myers, who had worked on previous musical episodes on “Ugly Betty” and “The Magicians,” said. “Fundamentally, I’d be game to make every episode nine a musical,” Goldsman said, “because it’s a great way of getting right to the heart of the issues the characters are bringing into the show and to resolve it in a really emotional way.” Jess Bush’s Nurse Chapel expresses her joy through song in “ Star Trek: Strange New Worlds” Paramount+ The episode, directed by Dermott Downs, also has a very clear in-universe reason for existing: a subspace rift has altered reality so that people can only communicate through singing when they’re feeling intense emotion - the kind of climactic emotions involved in season-long storylines being resolved. ![]() We need resolution in order to get us into episode 10, which in this case, Henry was going to write part one of a two-parter.” “The thing that made it a comfortable fit is that it’s still essentially a ‘Star Trek’ episode, and not just a ‘Star Trek’ episode but the ‘Star Trek’ episode that needed to be the ‘episode nine’ of our season. The emotional clarity that drives suddenly “breaking into song” was actually an ideal fit for wrapping up most of the characters’ recent storylines, showrunners Akiva Goldsman and Henry Alonso Myers said to IndieWire in a new interview. David Harbour Teases ‘Terrific’ ‘Stranger Things’ Series Finale: ‘It’s Very, Very Moving’ ![]()
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